“Is life identical with time in its unavoidable but mysterious passage?” asked Christa Wolf in the introduction to her book One Day a Year. “While I write this sentence, time passes; simultaneously a tiny piece of my life comes into being—and passes away.”

Wolf certainly knew a thing or two about experiencing time—and about registering in literature the subjective experiences of history. Born in 1929 in Gorzów (then Prussian Landsberg), Wolf experienced the Third Reich as a child before becoming one of the foremost literary figures of the GDR, author of popular novels like "Kassandra", "Divided Heaven", and "The Quest for Christa T". She was a committed socialist and a determined formal innovator; her work, always both political and personal, steered away from socialist realism into the more ambivalent (and more Modernist) domains of what she called “subjective authenticity.” She was critical of the regime—but never quite a dissident—and her refusal to disavow the socialist project, both before and after the fall of the Berlin Wall, has made her a controversial figure across Germany. (Many westerners, in particular, have argued for her proximity to the GDR state to be morally discrediting.) By now, Christa Wolf has fallen considerably out of style. Her Wikipedia page in English even quotes someone saying that authors like her “became irrelevant overnight” when the Wall came down.

But, despite her detractors, Wolf kept writing into her ninth decade, continuing to find new forms and refuse easy conformity. Every year from 1960 to her death in 2011, Wolf wrote a short prose piece describing her experiences of the 27th of September. These pieces—published in English as "One Day A Year"—are diaristic, essayistic, and novelistic in turns. Mundane details meet with intellectual analysis; the political situation is everywhere. The day, that most basic unit of time, brings the great sweep of history into our homes—and vice versa—both under communism then and under capitalism now.

At "Christa Wolf in Our Day", we will return to Wolf’s literary project in our own period of moral and political crisis. Katy Derbyshire—acclaimed translator of "One Day A Year (2000-2011)"—will join book critic Alexander Wells for a discussion of Wolf’s life and (late) work moderated by the writer and novelist Paul Scraton. Then, after a drinks break, the evening will resume with a reading of short pieces submitted by the contemporary writers of Berlin. All are welcome, even Ulrich Greiner.

This event’s panel discussion will be held in English, but the second-half readings may be in any language.

If you would like to read at the event, please email your submission of 600-800 words to JosephRothToday@gmail.com by February 10. All readings will also be published online and in a printed zine commemorating the evening.

Submissions do NOT have to be directly influenced by Wolf and should not be about her. What we are seeking, instead, are prose texts that channel her spirit in their attention to the literary potential of the day (or repeated date)—especially where the political and the quotidian collide.

Philip Larkin put it this way: “Where do we live but days?” The day is, after all, the genre of our lives. It is the way that we measure and construct our worlds. In it lies a radical potential that is all too quickly exhausted. From one day to the next, everything or nothing can change. A day is where we take stock of what occurred the day before and consider how the future might unfold. Drawing inspiration from Christa Wolf’s "One Day A Year", we would like you to submit 600-800 words that use a day, or use days, or use the daily. We’re open to any genre you think is up to the task, though probably not a schedule or logbook, unless you can make that schedule sing and logbook leap. All languages and dialects are welcome.

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